52 Rays of Sun-Light: A Tribute to a Bygone Music Blog and to the Legacy of Sam Phillips

   Yesterday I learned that one of the classic music blogs, Uncle Gil's Rockin' Archives, came to end. This was due to a creepy threatening message from a hacker. Assholes of all strips are threatening music blogs these days. I fear the golden age of music sharing may be over. I'm certain that these threats are engineered by the megacorporations who own (and could care less about) this      music.

    This post is a tribute to Uncle Gil--and to all the music bloggers who have come and gone, made a contribution to the preservation and love of this music. and either hung up their spurs or were scared off by cyber-monsters.

     As well, it's a tribute to one of my heroes, Sam Phillips, and his visionary work in bringing to the world some of the South's finest music of the 20th century. From Howlin' Wolf to Johnny Cash to Charlie Rich to Elvis to... well, I could make this sentence a block long with names. The point is that he had the courage to experiment with unknown musicians and give them a chance to be heard. Without his risk-taking, the course of American music would have taken a different, probably duller path in the last half of the 20th century. These recordings, now over 50 years old, retain the vitality, drive and human spirit that was Phillips' gift as a record producer.

  By the time the 26 singles offered here today came out, Sam Phillips had sold his interest in Sun Records to Shelby Singleton, a Nashville producer who had done a good bit of work for the labels owned by Mercury Records. Peter Guralnick's riveting biography The Man who Invented Rock 'n' Roll (a must-read) gives the full story of the sale of Sun to this seasoned Nashville cat.

   Singleton allowed European rockabilly researchers access to the mass of tape masters he'd bought, and these 26 singles, released in France in the late 1970s, were authorized by him. These singles consist of material that, at the time, was unissued, except on bootlegs. European record labels such as Charly and Bear Family Records have made sure these performances are available on compact disc, and chances are your town's library system has at least one Bear Family collection of Sun

Records material, ready for you to check out and enjoy.
     In 1976, these singles, which were curated by brothers Patrice and Herve Barbat, in partnership with Henri Ferrero, were a godsend. They remain a heapin' helpin' of the incredible talent and electricity that made Memphis rock 'n' roll such a defining musical force.

     Included in this download are all 52 sides of these now sought-after vinyl singles plus label scans of the discs. Many of these tracks may be second-nature to hardcore rockabilly or Sun fans, but I find them a great "mix tape" of the sound that Sam Phillips, Jack Clement and other producers captured on tape as southern rock and rollers expressed their heart and soul in the crowded studio at 706 Union Avenue. I hope you enjoy this batch of Memphis magic, and that you'll join me in a top of the Hatlo hat to Uncle Gil and all the other music bloggers who have helped make these wonderful sounds available to those of us who cared (and still care).

THIS LINK will net you the whole shebang. Peace be with you.

Otis Blackwell Volume Three: 28 Songs You've Probably Never Heard

Many years ago, I put together the first two volumes of Otis Blackwell compositions (both which are still available elsewhere on this blog).

I knew that, eventually, I'd get around to putting together another volume. Eight years passed, and with it much personal drama, illness and huge life changes. But I never forget my back-of-the-mind goal to get this set together.

Despite the host of big names you see at the left, I'll bet you a dollar to a doughnut you've never heard one single song on this compilation. Almost none of these songs were hits in their day. Many were stuck on the B-sides of singles, or were flops on the music marketplace when new.

50 or 60 years later, what didn't pass muster back in the day sounds pretty damned wonderful now. As I mention in the extensive liner notes I've drafted for this set, not every song here is a masterpiece, but all have their charm, and certain ones are guaranteed to knock your footwear off and become your new favorites.

I'm in recovery from my second go-round with non-Hodgkins' lymphoma. In April, I had a stem cell transplant and spent 20 days in the hospital. During this recovery time, I can't work and have a LOT of time on my hands. Thus, I decided to create an honest-to-gosh booklet for this compilation, as if it were a real CD.

This is my version of fantasy football--putting songs together for the sake of the music. If I attempted to do this disc for real, I'd be looking at dealing with massive corporations like Universal Media, and having to shell out thousands in licensing fees for old obscure songs the current holders could care less about. So much music from this period is trapped in this snare. 

This put a bit of a damper on the one legit CD project I've created, Ace Records' P. F. Sloan/Steve Barri compilation, which came out back in 2010. Many tracks I wanted were too expensive to license, and we had to make do with some sub-par recordings to take the place of those unattainables. I'm happy with that CD, overall, but wish that two or three blah tracks weren't on there. Oh well.

HERE are the 28 songs; HERE is the booklet and CD tray. If you're so inspired, print out the booklet and tray and mock up an old-school CD for your music shelf. But do listen to the music. "Stick Close" by Estelle Brown will brighten your day immensely, and I dare you not to tap your foot to Johnny Thunder's "Am I Right or Am I Wrong."

Since I wrote about each song in the liner notes, I'll cap this post and let it go. Hope you enjoy this compilation. And who knows--I may do another post here soon!

Alternate download link for this set HERE.

Impressions of Outer Space: Ahead-of-the-Lunar-Curve Astro-Jazz

Whaaaat? A new post here? It's getting to be an annual event. This mega-rare 10" album from 1953 merits the shock-to-the-system of a Musenick posting.

Composed by Charles Albertine, Lee Pockriss and Kermit Levinsky, these eight tracks are sometimes-atonal, often bracing and brimming with the early-1950s sense of breaking new ground in recorded music.

Larry Elgart was, with his brother Les, a big band-leader with aspirations to do something more highbrow. Impressions of Outer Space pre-dates the spate of space-age astro-pop, such as Russ Garcia's Fantastica, Les Baxter's Space Escapade, Ron Goodwin's Music in Orbit and Joe Meek's I Hear a New World. More astringent and arty than those later records, IoOS takes the way-out course in most of its tracks, getting almost into Thelonious Monk territory with its shrill, mangled harmonies and instrumentation.

Charles Albertine is beloved by fans of Space Age Pop for the series of albums he arranged and masterminded for The Three Suns, RCA Victor's purveyors of the businessman's bounce school of chipper, flyweight instrumental music. He composed five of the eight tracks here, and they align with his subsequent Elgart collaboration, Music for Barefoot Ballerinas, which Decca issued as a 12" LP a few years later. This is the most out-there stuff Albertine ever composed, and it might come as a shock to those who love his psycho-perky Three Suns stuff.

It's surprising to find Lee Pockriss as composer of two pieces here. A pop songwriter to the max, he co-penned "Catch a Falling Star," "Johnny Angel" and "Itsy Bitsy Teenie Weenie Yellow Polka-Dot Bikini"--a galaxy apart from his two tracks on this album. They partially atone for the crime against humanity that is "Itsy Bitsy..."

Kermit Levinsky? He was affiliated with the Elgart big band, and wrote many film scores, including Woody Allen's Take the Money and Run. His brother Walt went further in the music firmament.

Enjoy this astral rarity HERE. And look for another post sometime in 2019...